Merle Hoffman Press

In 1970, three years before the Supreme Court’s decision in Roe v. Wade, four states, New York among them, repealed their anti-abortion statutes. At the time, Merle Hoffman was a concert pianist who had recently given up her professional ambitions. The world of classical music was too hermetic, but the sweeping political currents of the ’60s had not drawn her in either. She settled on graduate school in psychology, supporting herself with three jobs, one of them in the office of a doctor who wanted to open an abortion clinic and asked her to run it.